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Indiana Jones and the Dial of Doom is the fifth and final installment of the legendary adventure franchise starring cinema's most iconic archaeologist. Directed by James Mangold (known for Logan and Ford v Ferrari), this film marks the first film in the series not directed by Steven Spielberg nor produced by George Lucas.
Released in 2023, the film seeks to close with dignity the narrative arc of Henry “Indiana” Jones Jr., performed once again by the incomparable Harrison Ford, who returns to the character at 80 years old. This latest adventure blends history, science fiction, nostalgia, and classic action, while introducing new characters who accompany—and challenge—the aging hero on his final journey.
Synopsis
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The story begins in 1944, during the final days of World War II. A young Indiana Jones, along with his colleague Basil Shaw, tries to prevent the Nazis from seizing ancient artifacts with hidden powers. One of them is the Archimedes' Dial (also known as the “Dial of Doom”), a mythical device supposedly capable of altering time.
The film jumps to 1969. Indiana is aging, lonely, and about to retire from his job as a university professor. The world has changed: the Nazis have been defeated, astronauts have landed on the moon, and the modern era continues unabated.
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However, the daughter of his old friend Basil, Helena Shaw (played by Phoebe Waller-Bridge), reappears in his life, searching for the mysterious dial that his father obsessively studied for years. Also after him is Jürgen Voller (Mads Mikkelsen), a former Nazi scientist secretly working for the U.S. government in the space program, but who has his own agenda: to use the dial to alter the course of history and restore the Nazi regime.
From there, Indiana, Helena, and their young companion Teddy embark on a race against time across the globe—from New York to Tangier, via Sicily—in a final adventure that mixes chases, ancient ruins, surprising discoveries, and an unexpected reflection on time, history, and legacy.
Cast
- Harrison Ford as Indiana JonesIn his final farewell to the character, Ford portrays a weary but still adventurous Indy. His humanity and vulnerability are more present than ever.
- Phoebe Waller-Bridge as Helena Shaw: Indy's niece, cunning, charismatic and with her own motives, she is both a companion and a foil for the protagonist.
- Mads Mikkelsen as Jürgen Voller: A sophisticated, cold and calculating villain, he wants to rewrite history with the help of the dial.
- Toby Jones as Basil Shaw: Old friend of Indiana, scholar obsessed with the secrets of the dial.
- Antonio Banderas as Renaldo: Indy's friend in the Mediterranean, sailing and diving expert.
- Boyd Holbrook as Klaber: Voller's violent henchman.
- Ethann Isidore as Teddy Kumar: Helena's young companion, who is somewhat reminiscent of characters like Short Round (The Temple of Doom).
Reviews
Reviews were mixed, though leaning toward positive, especially regarding the film's respect for the legacy of the character and the series.
Strong points according to critics:
- A dignified farewellHarrison Ford gives an emotionally rich performance, more introspective than in previous installments.
- Good direction of action: Mangold maintains the classic style of the saga but with a modern execution.
- Well-integrated nostalgic elements: Cameos, music, and references to the past don't feel forced.
- Exploring agingThe script dares to talk about old age, the passage of time, and the place of heroes in a changing world.
Negative reviews:
- Long duration (more than 2h 30min): Some feel that the pace drops in certain sections.
- Underutilized villainDespite Mikkelsen's solid performance, his character lacks the commanding presence of previous antagonists.
- Excessive science fiction elements: The final climax divided audiences with its bold turn toward the fantastical/scientific.
Public reception
Indiana Jones and the Dial of Doom It received a mixed reception from the general public. Many longtime fans appreciated the respectful tone toward the character and the emotional farewell. Others, however, hoped for a more dynamic adventure or a less fanciful story.
In Rotten Tomatoes, the film scored approximately 69% of criticism and a 88% of the public. In IMDb, maintains a rating around 6.6/10, reflecting a good, though not outstanding, acceptance.
In terms of box office, the film grossed around $384 million Worldwide, this is a modest figure compared to previous releases, although respectable considering the post-pandemic context and the competition at the box office.
Technical and visual aspects
- Visual effectsHarrison Ford's digital dejuvenation in the 1940s-set opening sequence was one of the most discussed technical aspects. Many praised it for its realism; others found it disturbing.
- Production designThe film maintains the charm of exotic, ancient settings, recreating both ruins and vibrant cities. The period setting (1969) is very well done.
- Music: The legendary John Williams composed the soundtrack for this installment, probably his last collaboration with the franchise. The main theme continues to evoke emotion, and the new compositions perfectly complement the story's tone.
- Address: James Mangold skillfully handles a foreign franchise, respecting Spielberg's legacy but bringing a more emotional and adult perspective to the character.
Conclusion
Indiana Jones and the Dial of Doom It's a nostalgic, emotional, and respectful farewell to one of cinema's most iconic heroes. While it doesn't achieve the freshness or perfection of the first three installments, it's clearly above The Kingdom of the Crystal Skull (2008) in tone, execution and heart.
The film isn't meant to be revolutionary, but rather a love letter to a character who has inspired generations. Harrison Ford gives a memorable performance, full of nuance and humanity, which closes the cycle with dignity and without the need for exaggerated heroics.
It's a conclusion that looks back on the past with respect, the present with sincerity, and the future with a melancholic smile. For fans, it represents a well-deserved farewell; for new viewers, it's a gateway to a saga that's already part of cinematic history.